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His Defence Against The Idle Critick

By Michael Drayton

Topics: classic

The Ryme nor marres, nor makes,     Nor addeth it, nor takes,         From that which we propose;     Things imaginarie     Doe so strangely varie,         That quickly we them lose.     And what 's quickly begot,     As soone againe is not,         This doe I truely know:     Yea, and what 's borne with paine,     That Sense doth long'st retaine,         Gone with a greater Flow.     Yet this Critick so sterne,     But whom, none must discerne,         Nor perfectly haue seeing,     Strangely layes about him,     As nothing without him         Were worthy of being.     That I my selfe betray     To that most publique way,         Where the Worlds old Bawd,     Custome, that doth humor,     And by idle rumor,         Her Dotages applaud.     That whilst he still prefers     Those that be wholly hers,         Madnesse and Ignorance,     I creepe behind the Time,     From spertling with their Crime,         And glad too with my Chance.     O wretched World the while,     When the euill most vile,         Beareth the fayrest face,     And inconstant lightnesse,     With a scornefull slightnesse,         The best Things doth disgrace.     Whilst this strange knowing Beast,     Man, of himselfe the least,         His Enuie declaring,     Makes Vertue to descend,     Her title to defend,         Against him, much preparing.     Yet these me not delude,     Nor from my place extrude,         By their resolued Hate;     Their vilenesse that doe know;     Which to my selfe I show,         To keepe aboue my Fate.

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"The Ryme nor marres, nor makes,..."

Exploring the themes of classic, Michael Drayton delivers a powerful performance in "His Defence Against The Idle Critick"... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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Author:Michael Drayton

"The Ryme nor marres, nor makes,..." by Michael Drayton

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Michael Drayton

About Michael Drayton

Michael Drayton (1563–1631) was an English poet whose "Poly-Olbion" (1612–1622) is a vast topographical poem describing the landscape and legends of England and Wales. His sonnet "Since there's no help" is among the finest of the Elizabethan era.

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