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Late November

Topics: classic

I.     Morning     Deep in her broom-sedge, burs and iron-weeds,     Her frost-slain asters and dead mallow-moons,     Where gray the wilding clematis balloons     The brake with puff-balls: where the slow stream leads     Her sombre steps: decked with the scarlet beads     Of hip and haw: through dolorous maroons     And desolate golds, she goes: the wailing tunes     Of all the winds about her like wild reeds.     The red wrought-iron hues that flush the green     Of blackberry briers, and the bronze that stains     The oak's sere leaves, are in her cheeks: the gray     Of forest pools, clocked thin with ice, is keen     In her cold eyes: and in her hair the rain's     Chill silver glimmers like a winter ray. II.     Noon     Lost in the sleepy grays and drowsy browns     Of woodlands, smoky with the autumn haze,     Where dull the last leafed maples, smouldering, blaze     Like ghosts of wigwam fires, the Month uncrowns     Her frosty hair, and where the forest drowns     The road in shadows, in the rutted ways,     Filled full of freezing rain, her robe she lays     Of tattered gold, and seats herself and frowns.     And at her frown each wood and bushy hill     Darkens with prescience of approaching storm,     Her soul's familiar fiend, who, with wild broom     Of wind and rain, works her resistless will,     Sweeping the world, and driving with mad arm     The clouds, like leaves, through the tumultuous gloom. III.     Evening     The shivering wind sits in the oaks, whose limbs,     Twisted and tortured, nevermore are still;     Grief and decay sit with it, they, whose chill     Autumnal touch makes hectic red the rims     Of all the oak leaves; desolating dims     The ageratum's blue that banks the rill,     And splits the milkweed's pod upon the hill,     And shakes it free of the last seed that swims.     Down goes the day despondent to its close:     And now the sunset's hands of copper build     A tower of brass, behind whose burning bars     The day, in fierce, barbarian repose,     Like some imprisoned Inca sits, hate-filled,     Crowned with the gold corymbus of the stars. IV.     Night     There is a booming in the forest boughs:     Tremendous feet seem trampling through the trees:     The storm is at his wildman revelries,     And earth and heaven echo his carouse.     Night reels with tumult. And from out her house     Of cloud the moon looks, like a face one sees     In nightmare, hurrying with pale eyes that freeze,     Stooping above with white, malignant brows.     The isolated oak upon the hill,     That seemed, at sunset, in terrific lands     A Titan head black in a sea of blood,     Now seems a monster harp, whose wild strings thrill     To the vast fingering of innumerable hands,     The Spirits of Tempest and of Solitude.

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Exploring the themes of classic, Madison Julius Cawein delivers a powerful performance in "Late November"... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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"The Text is taken from Percy's Reliques (1765), vol. i. p. 71, 'given from two MS. copies, transmitted from Scotland.' Herd had a very similar bal"

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