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Love As A Landscape Painter.

Topics: classic

On a rocky peak once sat I early,     Gazing on the mist with eyes unmoving;     Stretch'd out like a pall of greyish texture,     All things round, and all above it cover'd.     Suddenly a boy appear'd beside me,     Saying "Friend, what meanest thou by gazing     On the vacant pall with such composure?     Hast thou lost for evermore all pleasure     Both in painting cunningly, and forming?"     On the child I gazed, and thought in secret:     "Would the boy pretend to be a master?"     "Wouldst thou be for ever dull and idle,"     Said the boy, "no wisdom thou'lt attain to;     See, I'll straightway paint for thee a figure,     How to paint a beauteous figure, show thee."     And he then extended his fore-finger,     (Ruddy was it as a youthful rosebud)     Tow'rd the broad and far outstretching carpet,     And began to draw there with his finger.     First on high a radiant sun he painted,     Which upon mine eyes with splendour glisten'd,     And he made the clouds with golden border,     Through the clouds he let the sunbeams enter;     Painted then the soft and feathery summits     Of the fresh and quicken'd trees, behind them     One by one with freedom drew the mountains;     Underneath he left no lack of water,     But the river painted so like Nature,     That it seem'd to glitter in the sunbeams,     That it seem'd against its banks to murmur.     Ah, there blossom'd flowers beside the river,     And bright colours gleam'd upon the meadow,     Gold, and green, and purple, and enamell'd,     All like carbuncles and emeralds seeming!     Bright and clear he added then the heavens,     And the blue-tinged mountains far and farther,     So that I, as though newborn, enraptured     Gazed on, now the painter, now the picture.     Then spake he: "Although I have convinced thee     That this art I understand full surely,     Yet the hardest still is left to show thee."     Thereupon he traced, with pointed finger,     And with anxious care, upon the forest,     At the utmost verge, where the strong sunbeams     From the shining ground appear'd reflected,     Traced the figure of a lovely maiden,     Fair in form, and clad in graceful fashion,     Fresh the cheeks beneath her brown locks' ambush,     And the cheeks possess'd the selfsame colour     As the finger that had served to paint them.     "Oh thou boy!" exclaim'd I then, "what master     In his school received thee as his pupil,     Teaching thee so truthfully and quickly     Wisely to begin, and well to finish?"     Whilst I still was speaking, lo, a zephyr     Softly rose, and set the tree-tops moving,     Curling all the wavelets on the river,     And the perfect maiden's veil, too, fill'd it,     And to make my wonderment still greater,     Soon the maiden set her foot in motion.     On she came, approaching tow'rd the station     Where still sat I with my arch instructor.     As now all, yes, all thus moved together,     Flowers, river, trees, the veil, all moving,     And the gentle foot of that most fair one,     Can ye think that on my rock I linger'd,     Like a rock, as though fast-chain'd and silent?

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"On a rocky peak once sat I early,..."

Exploring the themes of classic, Johann Wolfgang von Goethe delivers a powerful performance in "Love As A Landscape Painter."... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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"Chords are touch'd by Apollo, the death-laden bow,..."

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