Zophiel. Ode

Thou who wert born of Psyche and of Love     And fondly nurst on Poesy's warm breast                         Painting, oh, power adored!                         My country's sons have poured     To thee their orisons; and thou hast blest     Their votive sighs, nor vainly have they strove.     Thou who art wont to soothe the varied pain     That ceaseless throbs at absent lover's heart,                         Who first bestowed thine aid                         On the young Rhodian maid [FN#19]     When doomed, from him whose love was life, to part,     From a lone bard accept an humble heartfelt strain.     [FN#19]    I do not positively recollect whether the incident, here described is supposed to have transpired at Rhodes, Corinth, or some other place, and have not, at present, the means for ascertaining. Painting is called the Rhodian Art, but I know not if on account of its having been first invented there or for the eminence of the painters which Rhodes produced; which was so great that an illustrious enemy refrained from burning the city, which he had in his power, out of respect to the genius of Protogenes one of its most celebrated artists.     'Twas the last night the idol youth might stay--     E'en now, to bear him from the rosy isle, [FN#20]                         The galley waits: he sleeps                         She silent wakes and weeps--     Watches his lips that in light dreaming smile--     Twines her soul round his charms and dreads the coming day.     The dazzling drops her pitious eyes that blind     Hushing her struggling sobs she wiped away:--                         Her tapers paly light                         Fell on the marble white,     Beside the couch where half reclined he lay     And of his beauteous face the shadow well defined.     Loved deity, then first thou cam'st on earth!--     Pity for truth in sorrow, called thee here!                         Sudden the fair, inspired,                         With a new thought was fired     Her hand urged on by hope--yet, breathing not for fear--     She traced the unreal shade--'twas hers--an art had birth.     [FN#20]    Rhodes, in the Greek tongue, signifies rose or roses. After being made the scene of the loves of Venus and Apollo, the isle (says Demoustier) became an enchanting garden, and soon took the name of the flowers it produced.     By dearest, tenderest feelings still allured,     Thou sought'st our wilds far blooming o'er the deep                         Pleased with the soft employ                         A fair haired cherub boy     O'er a more helpless child his watch to keep     Was placed; and from his sports the long restraint endured.     Fair as the hues of heaven, the innocent     Lay like a phantom born of some mild soul;                         A drop, for it had wept                         A moment ere it slept,     O'er its light vermil cheek was seen to roll     And its young guardian's heart drank beauty as he leant.     That nameless wish to nought but genius known.--     Indefinite--but in each fibre felt,                         Whispered. The boy elate                         Burned to perpetuate     The full pervasive bliss; enrapt he knelt--     Thou saw'st--a pencil's by--and infant West's thine own.     Soon the plumed savage, from his leafy home     Emerging, saw and loved the gifted child,                         And soon, beneath their care,                         His hands the tints prepare,     That strain their shapely limbs, in grandeur wild     As thro' their arching woods, the desert warriors roam. [FN#21]     [FN#21]    Sir Benjamin West, when a child, was presented with the primitive colours by an Indian. See Galt's Life of West.     Please he repaid their plans, nor those alone;     Sped by his strength the painted arrow flew;                         And oft the soaring bird                         For shape, or hue preferred,     To make a model for his art he knew     While sovereign Nature saw--and smiled upon her throne.     Bold Science, who earth's caverned depths explores,     And soars triumphant 'mid new worlds of light,--                         Lays bare the heaving heart [FN#22]                         Nor suffers life to part--     Lures the red lightning from its stormy height--     Oft, goddess kneels to thee to save his precious stores.     [FN#22]    An operation was performed at Paris by M. Richerande in which the heart of a patient, who afterwards recovered, was laid bare.     The rough-browed warrior on the midnight deck     While stealing softness thro' his pulses glides,                         By the moon's pensive rays                         Regards with lengthened gaze,     The pictured form his scarry bosom hides     By day; that tho' death grasp, hangs smiling at his neck.     When fate has torn from the fond mother's arms     The tender hope her bosom fed, to thee                         She flies;--and ere decay                         Can mar his beauteous prey     Her arching eyes, amid their grief, can see,     Still dawning bright, to them, its early-blighted charms.     The generous youth who, fired by love of fame,     A victim at her bloody altars fell;                         To the beloved ones reft,                         By aid of thee, has left     His form, his lip, his ardent glance, to tell     How fair was he on earth who left it for a name.     The patriot--here a moment let my strain     Tremble before thy Stuart--who but he                         Could bid mild Washington--                         His god-loved labours done--     Thus sit before us breathing majesty,     And, in his deep blue eye, still life and soul retain?     Methinks, the while I gaze, each graceful line     So light imprinted on his forehead fair,                         Where Wisdom sits serene                         Of every sense the queen,     Seems as an embryo empire still were there,     While still his ample breast swells with the vast design.     And fondly o'er the mellow tints I pause     Of her, whose vivid touch shames not her sire;                         Bold Genius in his pride                         Has marked her as his bride,     On his bright pinions bids her soul aspire,     Nor pay the tribute due by tardier Nature's laws. [FN#23]     [FN#23]    While composing this ode the writer was shown a beautiful specimen from the hand of a young daughter of the celebrated Stuart, who entirely devoted herself to the art.     But guard thee well young J--e: in his embrace     How many seal with death their ectasy!                         Too deep, intense, and wild,                         For one so late a child,     I fear me lest the proffered transport be     That every earthlier joy absorbent would efface.     Soft is thy form--amid the unpent air,     Pay rosy exercise her just demands:                         Tho' heaven thy lone hours woo                         Earth still demands her due;     Gay health to guard e'en genius' palace stands--     And when she takes her flight--e'en genius, must despair.     Nor those alone doomed to incarnate birth     Painting, death-baffler, is it thine to save!                         The heavenly shapes that flit,                         When the entranced fit,     Is on, and the charmed soul forgets its earth,     Thou bidst to earthly eyes their sky-dipt vestments wave.     The radiant visions Fancy's wand uprears     When Poesy around has spread her spell,                         Like summer flowrets dies                         Refresh the enchanted skies,     Where, soft as air, and lovelier for her fears,     Bright in her golden robes flies fair-haired Florimell. [FN#24]     [FN#24]    The flight of Florimell, from a scene in Spencer's Faery Queen, is an exquisite little picture by Allston, in the possession of a private gentleman.     The miracles, in holy record kept,     Done--ere one cheering ray of distant light                         Thro' death's dark portals shown,                         At thy command alone,     Still, still--reacted meet--the astonished sight,     Tho' rolling ages o'er the scene have swept.     In this far distant land, which the great deep     Perchance embosomed, when that dust was rife,                         The pale unconscious dead                         On the strown relics laid     Of old Elisha, in his passing sleep,     Still, at the hallowed touch, starts back to warmth and life. [FN#25]     [FN#25]    Every one must recollect the sublime picture here alluded to.     Sweet, when the soul is weary of the ills     That stern reality presents, to dwell                         On beauteous forms: they smooth                         The ruffled sense, and sooth     The heart with soft perfection; till a spell     Blends with its troublous pulse, and all its achings stills.     And who can look nor own the pencil's power     Where tender Ariadne, happy yet, [FN#26]                         Lies in a dream of bliss?                         The last half-pitying kiss,     By falsehood given, her sleeping lip has met--     That still seems hovering there like Zephyr o'er a flower.     [FN#26]    Vanderlyn's Ariadne.     The dawn breaks slowly o'er the distant main,     To come no more her ingrate hero flies;                         While thoughts confiding speak                         Upon her mantling cheek--     Illusion chains the sense--in lowest sighs     Whispering--we fear to see her wake to pain.     But whither wandering? whatsoe'er has gained     Long conning book and heart the white-haired sage;                         Cause and remote effect                         In living semblance dect,     The truths divine of many a moral page     Thy hand, harmonious Peale, hath at a glance explained.