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Lemoine.

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In the unquiet night,     With all her beauty bright,     She walketh my silent chamber to and fro;     Not twice of the same mind,     Sometimes unkind - unkind,     And again no cooing dove hath a voice so sweet and low.     Such madness of mirth lies     In the haunting hazel eyes,     When the melody of her laugh charms the listening night;     Its glamour as of old     My charmed senses hold,     Forget I earth and heaven in the pleasures of sense and sight.     With sudden gay caprice     Quaint sonnets doth she seize,     Wedding them unto sweetness, falling from crimson lips;     Holding the broidered flowers     Of those enchanted hours,     When she wound my will with her silk round her white finger-tips.     Then doth she silent stand,     Lifting her slender hand,     On which gleams the ring I tore from his hand at Baywood;     The tiny opal hearts     Are broken in two parts,     And where the ruby burned there hangeth a drop of blood.     Then with my burning cheek,     Raising my head, I speak,     "Lemoine, Lemoine, my lost!    Oh, speak to me once, I pray!"     But no word will she deign,     Adown the shining lane,     The long and lustrous lane of the moonlight she glides away.     I fancy oft a stir,     Of wings seem following her,     Trailing a terrible gloom along the oaken floor,     As she walks to and fro;     Louder the strange sounds grow     To a nameless, dreadful horror, that floods the chamber o'er.     And then I raise my head     From terror-haunted bed,     And hush my breath, and my very pulses hush and hark;     But as I glance around,     The stir, the murmuring sound,     Dies away in the moonlight, lying there stiff and stark.          *    *    *    *    *     And thus you ever flee,     Elude and baffle me,     My lady you will not always so lightly glide away;     Though on the swiftest breeze,     You sail o'er farthest seas,     Remember, side by side we two will stand one day.     Though my dust feed the wind,     Yours be with prayer consigned     To the keeping of churchyard seraphs and marble saints;     Lemoine, we two shall meet,     And not then at my feet     Will you fetter a late repentance with wiles and tearful plaints.     Repentance and strong,     That would have found a tongue,     And shrieked the truth to heaven with madd'ning din;     The truth of that dread hour,     That black accursed hour,     When to free you from hated fetters, I plunged my soul in sin.     Whatever wise man thinks,     Sin forges strongest links,     You can break them never, although for a time you may hide     Buried in flowers and wine;     This chain of thine and mine,     At the last dread day of doom will draw us side by side.     If one, then both are cursed,     And come the best, the worst,     Forever and ever your fate and mine are entwined;     And though it be mad - mad,     Heaven knows the thought is glad,     I do not breed my thoughts, how can I help my mind.          *    *    *    *    *     So silent doth she come,     Standing here pale and dumb,     With her finger laid on her lips in a warning way;     Her dark eyes looking back,     As if upon her track     And mine, some phantom shape of impending evil lay.     But when I strive to see,     Of what she's warning me,     Cruelly calm, no sign will she deign to love or fears;     Unheeding vow or prayer,     As noiseless as the air,     She glideth into the pallid moonlight and disappears.

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"In the unquiet night,..."

"Lemoine." is a quintessential example of Marietta Holley's signature style... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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