Pastiche
These shell-queens, too, are blithely catpaws, shorn & musky acorns with indexed fingers erect at manicured attention. II ... Showboats with green faces far as swallows fly, a lilac in oasis ... scarlet bream ... blue ointment where the ocean is periwinkle patches, a robin's egg clarity pressed between blue-nosed tavern wall & bottles clinking. III See plush cords, the suede interior svelte & slinky an upholstery simonized with natural springs where bubbles encounter founts in apertures, the rich measure of open ground or mezzanine curtain slit along a riverine walk & jungle clearing. IV Twilight. Golden tulip. Golden olive, "Fool's Gold", a lithesome snake-girl gyrates her dragon-flared, limb-length tattoo with red-eye dots itching in emerald waiting; footpaths overhanging serpentine curves or laser beam dancer legs, paddle white, under angel tint of stage-light. V The cut off jeans compete with campfire glow ... slipping a musket-width, nostril breadth around turbans, bonnets, bubbles. Murex. VI ... Elegant white ibises and egrets stand like sentinels; herons flying in their wide wings braking and their long legs dragging ... and the snaky-necked anhingas flapping and sailing into spread their big wings to dry in the sun. Sa nom m'etruit Her NAME escapes me Nomen fuit Just the faintest hint of spring UU MM MOTHER of PEARL with ODALISQUE.
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"These shell-queens, too,..."
Paul Cameron Brown's contribution to classic is further solidified by the brilliance found in "Pastiche"... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...