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The Celebrated Woman. An Epistle By A Married Man To A Fellow-Sufferer.

Topics: classic

[In spite of Mr. Carlyle's assertion of Schiller's "total deficiency in humor," [12] we think that the following poem suffices to show that he possessed the gift in no ordinary degree, and that if the aims of a genius so essentially earnest had allowed him to indulge it he would have justified the opinion of the experienced Iffland as to his capacities for original comedy.]      Can I, my friend, with thee condole?      Can I conceive the woes that try men,      When late repentance racks the soul      Ensnared into the toils of hymen?      Can I take part in such distress?      Poor martyr, most devoutly, "Yes!"      Thou weep'st because thy spouse has flown      To arms preferred before thine own;      A faithless wife, I grant the curse,      And yet, my friend, it might be worse!      Just hear another's tale of sorrow,      And, in comparing, comfort borrow!      What! dost thou think thyself undone,      Because thy rights are shared with one!      O, happy man be more resigned,      My wife belongs to all mankind!      My wife she's found abroad at home;      But cross the Alps and she's at Rome;      Sail to the Baltic there you'll find her;      Lounge on the Boulevards kind and kinder:      In short, you've only just to drop      Where'er they sell the last new tale,      And, bound and lettered in the shop,      You'll find my lady up for sale!      She must her fair proportions render      To all whose praise can glory lend her;      Within the coach, on board the boat,      Let every pedant "take a note;"      Endure, for public approbation,      Each critic's "close investigation,"      And brave nay, court it as a flattery      Each spectacled Philistine's battery.      Just as it suits some scurvy carcase      In which she hails an Aristarchus,      Ready to fly with kindred souls,      O'er blooming flowers or burning coals,      To fame or shame, to shrine or gallows,      Let him but lead sublimely callous!      A Leipsic man (confound the wretch!)      Has made her topographic sketch,      A kind of map, as of a town,      Each point minutely dotted down;      Scarce to myself I dare to hint      What this d d fellow wants to print!      Thy wife howe'er she slight the vows      Respects, at least, the name of spouse;      But mine to regions far too high      For that terrestrial name is carried;      My wife's "The famous Ninon!" I      "The gentleman that Ninon married!"      It galls you that you scarce are able      To stake a florin at the table      Confront the pit, or join the walk,      But straight all tongues begin to talk!      O that such luck could me befall,      Just to be talked about at all!      Behold me dwindling in my nook,      Edged at her left, and not a look!      A sort of rushlight of a life,      Put out by that great orb my wife!      Scarce is the morning gray before      Postman and porter crowd the door;      No premier has so dear a levee      She finds the mail-bag half its trade;      My God the parcels are so heavy!      And not a parcel carriage-paid!      But then the truth must be confessed      They're all so charmingly addressed:      Whate'er they cost, they well requite her      "To Madame Blank, the famous writer!"      Poor thing, she sleeps so soft! and yet      'Twere worth my life to spare her slumber;      "Madame from Jena the Gazette      The Berlin Journal the last number!"      Sudden she wakes; those eyes of blue      (Sweet eyes!) fall straight on the Review!      I by her side all undetected,      While those cursed columns are inspected;      Loud squall the children overhead,      Still she reads on, till all is read:      At last she lays that darling by,      And asks "What makes the baby cry?"      Already now the toilet's care      Claims from her couch the restless fair;      The toilet's care! the glass has won      Just half a glance, and all is done!      A snappish pettish word or so      Warns the poor maid 'tis time to go:      Not at her toilet wait the Graces      Uncombed Erynnys takes their places;      So great a mind expands its scope      Far from the mean details of soap!      Now roll the coach-wheels to the muster      Now round my muse her votaries cluster;      Spruce Abbe Millefleurs Baron Herman      The English Lord, who don't know German,      But all uncommonly well read      From matchless A to deathless Z!      Sneaks in the corner, shy and small,      A thing which men the husband call!      While every fop with flattery fires her,      Swears with what passion he admires her.      "'Passion!' 'admire!' and still you're dumb?"      Lord bless your soul, the worst's to come:      I'm forced to bow, as I'm a sinner,      And hope the rogue will stay to dinner!      But oh, at dinner! there's the sting;      I see my cellar on the wing!      You know if Burgundy is dear?      Mine once emerged three times a year;      And now to wash these learned throttles,      In dozens disappear the bottles;      They well must drink who well do eat      (I've sunk a capital on meat).      Her immortality, I fear, a      Death-blow will prove to my Madeira;      It has given, alas! a mortal shock      To that old friend my Steinberg hock! [13]      If Faust had really any hand      In printing, I can understand      The fate which legends more than hint;      The devil take all hands that print!      And what my thanks for all? a pout      Sour looks deep sighs; but what about?      About! O, that I well divine      That such a pearl should fall to swine      That such a literary ruby      Should grace the finger of a booby!      Spring comes; behold, sweet mead and lea      Nature's green splendor tapestries o'er;      Fresh blooms the flower, and buds the tree;      Larks sing the woodland wakes once more.      The woodland wakes but not for her!      From Nature's self the charm has flown;      No more the Spring of earth can stir      The fond remembrance of our own!      The sweetest bird upon the bough      Has not one note of music now;      And, oh! how dull the grove's soft shade,      Where once (as lovers then) we strayed!      The nightingales have got no learning      Dull creatures how can they inspire her?      The lilies are so undiscerning,      They never say "how they admire her!"      In all this jubilee of being,      Some subject for a point she's seeing      Some epigram (to be impartial,      Well turned) there may be worse in Martial!      But, hark! the goddess stoops to reason:      "The country now is quite in season,      I'll go!" "What! to our country seat?"      "No! Travelling will be such a treat;      Pyrmont's extremely full, I hear;      But Carlsbad's quite the rage this year!"      Oh yes, she loves the rural Graces;      Nature is gay in watering-places!      Those pleasant spas our reigning passion      Where learned Dons meet folks of fashion;      Where each with each illustrious soul      Familiar as in Charon's boat,      All sorts of fame sit cheek-by-jowl,      Pearls in that string the table d'hote!      Where dames whom man has injured fly,      To heal their wounds or to efface, them;      While others, with the waters, try      A course of flirting, just to brace them!      Well, there (O man, how light thy woes      Compared with mine thou need'st must see!)      My wife, undaunted, greatly goes      And leaves the orphans (seven!!!) to me!      O, wherefore art thou flown so soon,      Thou first fair year Love's honeymoon!      All, dream too exquisite for life!      Home's goddess in the name of wife!      Reared by each grace yet but to be      Man's household Anadyomene!      With mind from which the sunbeams fall,      Rejoice while pervading all;      Frank in the temper pleased to please      Soft in the feeling waked with ease.      So broke, as native of the skies,      The heart-enthraller on my eyes;      So saw I, like a morn of May,      The playmate given to glad my way;      With eyes that more than lips bespoke,      Eyes whence sweet words "I love thee!" broke!      So Ah, what transports then were mine!      I led the bride before the shrine!      And saw the future years revealed,      Glassed on my hope one blooming field!      More wide, and widening more, were given      The angel-gates disclosing heaven;      Round us the lovely, mirthful troop      Of children came yet still to me      The loveliest merriest of the group      The happy mother seemed to be!      Mine, by the bonds that bind us more      Than all the oaths the priest before;      Mine, by the concord of content,      When heart with heart is music-blent;      When, as sweet sounds in unison,      Two lives harmonious melt in one!      When sudden (O the villain!) came      Upon the scene a mind profound!      A bel esprit, who whispered "Fame,"      And shook my card-house to the ground.      What have I now instead of all      The Eden lost of hearth and hall?      What comforts for the heaven bereft?      What of the younger angel's left?      A sort of intellectual mule,      Man's stubborn mind in woman's shape,      Too hard to love, too frail to rule      A sage engrafted on an ape!      To what she calls the realm of mind,      She leaves that throne, her sex, to crawl,      The cestus and the charm resigned      A public gaping-show to all!      She blots from beauty's golden book      A name 'mid nature's choicest few,      To gain the glory of a nook      In Doctor Dunderhead's Review.

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"[In spite of Mr. Carlyle's assertion of Schiller's "total deficiency in humor," [12] we think that the following poem suffices to show that he possessed the gift in no ordinary degree, and that if the aims of a genius so essentially earnest had allowed him to indulge it he would have justified the opinion of the experienced Iffland as to his capacities for original comedy.]..."

This evocative piece by Friedrich Schiller, titled "The Celebrated Woman. An Epistle By A Married Man To A Fellow-Sufferer.", represents a masterful exploration of classic. The lines capture a profound emotional resonance... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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