Skip to content
Linespedia

The Funeral Tree Of The Sokokis. 1756

By John Greenleaf Whittier

Topics: classic

Around Sebago's lonely lake     There lingers not a breeze to break     The mirror which its waters make.     The solemn pines along its shore,     The firs which hang its gray rock o'er,     Are painted on its glassy floor.     The sun looks o'er, with hazy eye,     The snowy mountain tops which lie     Piled coldly up against the sky.     Dazzling and white! Save where the bleak,     Wild winds have bared some splintering peak,     Or snow-slide left its dusky streak.     Yet green are Saco's banks below,     And belts of spruce and cedar show,     Dark fringing round those cones of snow.     The earth hath felt the breath of spring,     Though yet on her deliverer's wing     The lingering frosts of winter cling.     Fresh grasses fringe the meadow-brooks,     And mildly from its sunny nooks     The blue eye of the violet looks.     And odors from the springing grass,     The sweet birch and the sassafras,     Upon the scarce-felt breezes pass.     Her tokens of renewing care     Hath Nature scattered everywhere,     In bud and flower, and warmer air.     But in their hour of bitterness,     What reck the broken Sokokis,     Beside their slaughtered chief, of this?     The turf's red stain is yet undried,     Scarce have the death-shot echoes died     Along Sebago's wooded side;     And silent now the hunters stand,     Grouped darkly, where a swell of land     Slopes upward from the lake's white sand.     Fire and the axe have swept it bare,     Save one lone beech, unclosing there     Its light leaves in the vernal air.     With grave, cold looks, all sternly mute,     They break the damp turf at its foot,     And bare its coiled and twisted root.     They heave the stubborn trunk aside,     The firm roots from the earth divide,     The rent beneath yawns dark and wide.     And there the fallen chief is laid     In tasselled garb of skins arrayed,     And girded with his wampum-braid.     The silver cross he loved is pressed     Beneath the heavy arms, which rest     Upon his scarred and naked breast.     'T is done : the roots are backward sent,     The beechen-tree stands up unbent,     The Indian's fitting monument!     When of that sleeper's broken race     Their green and pleasant dwelling place,     Which knew them once, retains no trace;     Oh, long may sunset's light be shed     As now upon that beech's head,     A green memorial of the dead!     There shall his fitting requiem be,     In northern winds, that, cold and free,     Howl nightly in that funeral tree.     To their wild wail the waves which break     Forever round that lonely lake     A solemn undertone shall make!     And who shall deem the spot unblest,     Where Nature's younger children rest,     Lulled on their sorrowing mother's breast?     Deem ye that mother loveth less     These bronzed forms of the wilderness     She foldeth in her long caress?     As sweet o'er them her wild-flowers blow,     As if with fairer hair and brow     The blue-eyed Saxon slept below.     What though the places of their rest     No priestly knee hath ever pressed,     No funeral rite nor prayer hath blessed?     What though the bigot's ban be there,     And thoughts of wailing and despair,     And cursing in the place of prayer!     Yet Heaven hath angels watching round     The Indian's lowliest forest-mound,     And they have made it holy ground.     There ceases man's frail judgment : all     His powerless bolts of cursing fall     Unheeded on that grassy pall.     O peeled and hunted and reviled,     Sleep on, dark tenant of the wild!     Great Nature owns her simple child!     And Nature's God, to whom alone     The secret of the heart is known,     The hidden language traced thereon;     Who from its many cumberings     Of form and creed, and outward things,     To light the naked spirit brings;     Not with our partial eye shall scan,     Not with our pride and scorn shall ban,     The spirit of our brother man

AI analysis available. Enable JavaScript to interact.

About this line

"Around Sebago's lonely lake..."

Exploring the themes of classic, John Greenleaf Whittier delivers a powerful performance in "The Funeral Tree Of The Sokokis. 1756"... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

Attribution & Rights

Author:John Greenleaf Whittier

"Around Sebago's lonely lake..." by John Greenleaf Whittier

For usage rights, copyright concerns, or to report an issue with this content, please visit our Copyright & Report page.

Related lines

"Gallery of sacred pictures manifold,     A minster rich in holy effigies,     And bearing on entablature and frieze     The hieroglyphic oracle"

"Through the long hall the shuttered windows shed     A dubious light on every upturned head;     On locks like those of Absalom the fair,     O"

"At the unveiling of his statue.     Among their graven shapes to whom     Thy civic wreaths belong,     O city of his love, make room     F"

"Thrice welcome from the Land of Flowers     And golden-fruited orange bowers     To this sweet, green-turfed June of ours!     To her who, in o"

"Here morning in the ploughman's songs is met     Ere yet one footstep shows in all the sky,     And twilight in the east, a doubt as yet,     S"

"The Text is taken from Percy's Reliques (1765), vol. i. p. 71, 'given from two MS. copies, transmitted from Scotland.' Herd had a very similar bal"

John Greenleaf Whittier

About John Greenleaf Whittier

John Greenleaf Whittier (1807–1892) was an American Quaker poet and abolitionist whose poems—including "Snow-Bound" and "Barbara Frietchie"—celebrate New England life and moral courage. He was one of the Fireside Poets and a leading voice against slavery.

Full Bibliography
Continue Reading

"Gallery of sacred pictures manifold,     A minster..."

Weekly Poetic Insight

Join our literary Sanctuary

Get the most inspiring lines, poetic analysis, and secret shayaris delivered to your inbox every Sunday.