Skip to content
Linespedia

The Marble Faun.

Topics: classic

("Il semblait grelotter.")     [XXXVI., December, 1837.]     He seemed to shiver, for the wind was keen.     'Twas a poor statue underneath a mass     Of leafless branches, with a blackened back     And a green foot - an isolated Faun     In old deserted park, who, bending forward,     Half-merged himself in the entangled boughs,     Half in his marble settings. He was there,     Pensive, and bound to earth; and, as all things     Devoid of movement, he was there - forgotten.     Trees were around him, whipped by icy blasts -     Gigantic chestnuts, without leaf or bird,     And, like himself, grown old in that same place.     Through the dark network of their undergrowth,     Pallid his aspect; and the earth was brown.     Starless and moonless, a rough winter's night     Was letting down her lappets o'er the mist.     This - nothing more: old Faun, dull sky, dark wood.     Poor, helpless marble, how I've pitied it!     Less often man - the harder of the two.     So, then, without a word that might offend     His ear deformed - for well the marble hears     The voice of thought - I said to him: "You hail     From the gay amorous age. O Faun, what saw you     When you were happy? Were you of the Court?     "Speak to me, comely Faun, as you would speak     To tree, or zephyr, or untrodden grass.     Have you, O Greek, O mocker of old days,     Have you not sometimes with that oblique eye     Winked at the Farnese Hercules? - Alone,     Have you, O Faun, considerately turned     From side to side when counsel-seekers came,     And now advised as shepherd, now as satyr? -     Have you sometimes, upon this very bench,     Seen, at mid-day, Vincent de Paul instilling     Grace into Gondi? - Have you ever thrown     That searching glance on Louis with Fontange,     On Anne with Buckingham; and did they not     Start, with flushed cheeks, to hear your laugh ring forth     From corner of the wood? - Was your advice     As to the thyrsis or the ivy asked,     When, in grand ballet of fantastic form,     God Phoebus, or God Pan, and all his court,     Turned the fair head of the proud Montespan,     Calling her Amaryllis? - La Fontaine,     Flying the courtiers' ears of stone, came he,     Tears on his eyelids, to reveal to you     The sorrows of his nymphs of Vaux? - What said     Boileau to you - to you - O lettered Faun,     Who once with Virgil, in the Eclogue, held     That charming dialogue? - Say, have you seen     Young beauties sporting on the sward? - Have you     Been honored with a sight of Molire     In dreamy mood? - Has he perchance, at eve,     When here the thinker homeward went, has he,     Who - seeing souls all naked - could not fear     Your nudity, in his inquiring mind,     Confronted you with Man?"     Under the thickly-tangled branches, thus     Did I speak to him; he no answer gave.     I shook my head, and moved myself away;     Then, from the copses, and from secret caves     Hid in the wood, methought a ghostly voice     Came forth and woke an echo in my souls     As in the hollow of an amphora.     "Imprudent poet," thus it seemed to say,     "What dost thou here? Leave the forsaken Fauns     In peace beneath their trees! Dost thou not know,     Poet, that ever it is impious deemed,     In desert spots where drowsy shades repose -     Though love itself might prompt thee - to shake down     The moss that hangs from ruined centuries,     And, with the vain noise of throe ill-timed words,     To mar the recollections of the dead?"     Then to the gardens all enwrapped in mist     I hurried, dreaming of the vanished days,     And still behind me - hieroglyph obscure     Of antique alphabet - the lonely Faun     Held to his laughter, through the falling night.     I went my way; but yet - in saddened spirit     Pondering on all that had my vision crossed,     Leaves of old summers, fair ones of old time -     Through all, at distance, would my fancy see,     In the woods, statues; shadows in the past!     WILLIAM YOUNG

AI analysis available. Enable JavaScript to interact.

About this line

"("Il semblait grelotter.")..."

Exploring the themes of classic, Victor-Marie Hugo delivers a powerful performance in "The Marble Faun."... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

Classified Tags

Related lines

"("A quoi bon entendre les oiseaux?")     [RUY BLAS, Act II.]     Oh, why not be happy this bright summer day,     'Mid perfume of roses and"

"("Vous qui ne savez pas combien l'enfance est belle.")     Sweet sister, if you knew, like me,     The charms of guileless infancy,     No mo"

"("La tombe dit la rose.")     [XXXI., June 3, 1837]     The Grave said to the rose     "What of the dews of dawn,     Love's flower, what"

"("Mon pre, ce hros au sourire.")     [Bk. XLIX. iv.]     My sire, the hero with the smile so soft,     And a tall trooper, his companion o"

"Here morning in the ploughman's songs is met     Ere yet one footstep shows in all the sky,     And twilight in the east, a doubt as yet,     S"

"The Text is taken from Percy's Reliques (1765), vol. i. p. 71, 'given from two MS. copies, transmitted from Scotland.' Herd had a very similar bal"

Continue Reading

"("A quoi bon entendre les oiseaux?")     [RUY BLA..."

Weekly Poetic Insight

Join our literary Sanctuary

Get the most inspiring lines, poetic analysis, and secret shayaris delivered to your inbox every Sunday.